Objects with a past.
Made again.
Every MADE / AGAIN object begins with a textile made entirely by hand: a handwoven frazada from the Andean highlands or a hand-embroidered Shipibo piece from the Amazon lowlands, each rooted in its own place, people, and tradition.
The hardest work happened long before the textile reached our bench. Our role is to honor it: by leaving it whole, mounting it as art, or turning what remains into a useful object with a second life.
Everything we add is chosen to sit quietly beside the original work: honest materials, clean construction, and nothing that asks for more attention than the cloth itself.
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OBJECT NO. 1 NOW BEING BUILT.
It starts with one whole textile: a frazada woven by hand in the Andean highlands or a Shipibo piece embroidered with kené patterns in the Amazon lowlands. Each carries the mark of a specific place, practice, and maker.
These textiles were made to be lived with. Their beauty comes from use, skill, and memory, not decoration alone. We follow that lead, keeping some pieces whole, mounting others as art, and making pillows from the cloth each transformation leaves behind. Every object is made once. When it sells, it is gone for good.
See the line
The build stays intentionally quiet: a hardwood-and-brass hanging system, or a pillow cut and sewn with care, made to support the textile rather than compete with it.
Because the original textile was made from real fiber, dye, time, and touch, the new materials have to earn their place. We choose solid hardwood, solid brass, natural-fiber cord, and pillow fill for feel, durability, and honesty, not for shortcuts.
Every piece ships numbered, with a Provenance Card naming both makers: the artisan who made the textile first and the maker who gave it its second form. A companion booklet shares the tradition behind the cloth. We buy direct, photograph each textile whole, and let each lot end naturally when the material is gone.
Made slowly, by hand, twice over.
See the materials before they're transformedEach textile is bought or received direct, photographed whole, and recorded before anything is cut, mounted, or sewn.
Drop-list members see the whole-piece photos and, when a pillow is planned, the cut map before the textile is touched.
Each object is mounted or sewn by hand, numbered, and shipped with a Provenance Card naming both makers.
Unclaimed pieces go public. Once a textile is fully used, that lot is finished for good.
A frazada or Shipibo textile, mounted on a bespoke hardwood-and-brass hanging system crafted to suit that piece. Numbered, with a Provenance Card and a companion booklet.
See the piecesFrazada and linen. Three shapes: a lumbar pillow with a brass zipper, a standard cylinder bolster, and a long cylinder bolster built to span a bench or window seat. Cut from what a Hanging Textile Art piece leaves behind.
See the pillowSome pieces need nothing added. Sold whole, exactly as they were made, a floor throw, a wall hanging without a mount, a bed topper. Numbered, with a Provenance Card.
See the piecesLooking for the Bench or Ottoman? Both are still made, by commission. See Commission →
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Object No. 1 is being built in public right now.